Way back in 1997, I went to the Sensation exhibition that featured the YBAs, many of whom are now BEMs.
This was the famous exhibition that had Damien Hirst’s “pickled shark with pretentious title”, Tracy Emin’s “cant be arsed bed” and that massive picture of Myra Hyndley that provided provided such great target practice for sensitive egg throwers.
Despite all the now infamous detritus of Charles Saatchi’s spare room that was present at the exhibition, only one bit of art moved me and has lodged in my head ever since. This was a painting entitled “Blue Minotaur” by the now largely forgotten artist, Richard Patterson.
I remembered this the other day whilst browsing through some of my Flickr pics and finding this particular favourite:

I remember posing Upgrade, one of Noah’s Ben 10 figures, by the window of the conservatory in a very deliberate way to try and achieve a melancholic effect – that very specific kind of ennui you can only get from the image of a small plastic figurine looking through some double glazing.
In my lame attempt to be a but arty, and further handicapped by being quite shit at photography, I was trying to recreate the painting I had seen hanging on the wall in the Royal Academy of Art over 10 years ago.
After revisiting this photo on Flickr, I decided to try and locate a copy of the painting online and I was quite surprised how hard it was to track down. I couldn’t remember the name of the painting or the artist and ended up Googling all the Sensation artists one by one. Eventually I found a low res copy on the website of the gallery in which it now resides:

Despite the fact that I often remember things as being better than they actually were, I wasn’t disappointed with the Minotaur when we met once again. It’s an oddly affecting picture and of course the great thing about Googling is that you end up coming away with a whole bunch of new facts you never knew like the fact that this painting was in turn inspired by another much older painting, The Minotaur by George Frederic Watts:

In Greek mythology the Minotaur, half-man, half-bull, was appeased by annual human sacrifices. Every year, seven youths and seven virgins were shipped from mainland Athens to the Island of Crete to be devoured by the monster. In Watts’s painting, the Minotaur leans out across the sea from a high parapet in anticipation of the ship’s arrival.
Watts’ painting of the Minotaur was intended “to hold up to detestation the bestial and brutal” wheras Patterson’s version is “a profound meditation on postmodernity and the heroic tradition“. Ah well, times change but one phrase still holds true “I don’t know anything about art, but I know what I like“.